Brian Schermer, PhD, AIA, Principal, Workshop Architects
“I am located in the margin. I make a distinction between that marginality which is imposed by oppressive structures and that marginality one chooses as a site of resistance—as location of radical openness and possibility….We are transformed, individually, collectively, as we make radical creative space which affirms and sustains our subjectivity, which gives us a new location from which to articulate our sense of the world.”
Bell Hooks, "Choosing the MArgin as a Space of Radical Openness." Framework: The Journal of Cinema and Media. No. 36 (1989), pp. 15-23
Today’s conversations on college campuses about serving the needs of the most marginalized and vulnerable students call to mind the essay by feminist and social activist bell hooks titled “Choosing the Margin of as a Space of Radical Openness.” When opposing barriers to social justice, hooks asserts, there is a critical choice to make. Should one stand within the strictures of the dominant power? Or, should one stand in the margin, not because existing powers demand it, but because it is at the margin that one may operate on one’s own terms? Hooks favors the margin because that is where one can create a “space of radical openness,” an openness that provides the opportunity and traction to envision new possibilities. For hooks, language, in the form of poetry and critical writing, is that space. For Workshop Architects, it is design and the creative act of inclusive placemaking.
Workshop Architects aspires to create radically open dialogic space for all of its campus planning projects. It is important to talk to all students, including ones who are most involved as well the students would would never attend a focus group. Student unions must serve all students. For students who are from underrepresented minorities or feel marginalized in other ways, it is especially important to reach out to the them and to appreciate them for their lived experience.
Students lead complicated, intersectional lives. They may have different ethnic backgrounds, sexual orientations, and gender identities. But they are also may be first-generation students, graduate students, workers, caregivers, mothers, fathers, veterans, volunteers, activists, athletes, or in recovery. They may have needs that are related to their their group identity group, and other needs that are common to many students regardless of identity.
Here are two examples of common needs from two of the most diverse campuses in the nation. Perhaps not surprisingly, they are located in urban areas and are known for their large proportion of commuting students.
University of Illinois-Chicago
UI-C serves over 30,000 students, the vast majority of whom, some 24,000, commute to campus. In order to understand the needs that can be addressed from a student life perspective, Workshop collaborated with UI-C to develop a vision for the Ignite Center, which includes new student housing and renovation and expansion of student union facilities. The overriding concern for all students is stress, the source of which can be traced to a few factors. The first has to do with difficulty in accessing Student Services, which are perceived to be hidden or inconvenient.
• “There are tons of resources, but people don’t know where they are.”
Another source of stress is the daily commute. Commuting takes a lot of time and requires a lot of planning around transit schedules and rush hour traffic.
Students, especially commuters lack, a home base and a place to just be.
Consequently, student commuters have time pressures that preclude their engagement outside their academic obligations.
Despite these stresses, UIC students seek to find community through food, culture, study and social causes.
These insights about the lived experience of UI-C students led to the following planning and design objectives for the Ignite Center:
The Ignite Center should:
University of Nevada-Las Vegas
UNLV is, according to U.S. News and World Report, the most diverse campus in the nation. Like UI-C, UNLV also has a very larger population of commuting students. Workshop partnered with UNLV to develop strategies to renovation and expand its existing student union. Extensive interviews and workshops helped us get to know the know the campus. We also customized an online survey to verify what students on the ground were telling us. For students, the two of the most critical stressors are time and safety.
Time is an issue because commuters struggle to stay productive between classes, fueled and fed for the day, or to simply relax.
Percentage of students who say UNLV Student Union should be a place to:
Another important finding from the inclusive placemaking at UNLV is the high percentage of students who , though they value the institution for its diversity, nevertheless look to the Student Union and its programs to help them participate and contribute to a fuller, multi-cultural experience. Results from our survey suggest that this commitment is reflects the aspirations of the vast majority of UNLV students:
Percentage of students who say UNLV Student Union should be a place to:
UNLV students cherish hearing different languages and meeting people outside their typical circle of friends. There is also a strong student advocates and staff who are committed to ensuring that UNLV provides an inclusive and supportive college experience for all students.
The current Student Unionis essentially the only place on campus for students to socialize and relax.There are long wait times for food and sufficient lounge and recreation space.
Moreover, it is located far from where most of the students are coming to and from class is also an issue because of the relatively high crime rate in the surrounding neighborhood and fairly dim lighting at night.
The student union renovation, as originally conceived by UNLV, was to determine how best to serve UNLV’s time-strapped students while improving the existing Student Union, which is barely 10 years old. the insights gained from the inclusion placemaking process suggest a non-obvious strategy but nevertheless appropriate strategy:.
Build a satellite union where the students are.
UNLV’s welcoming and comfortable Lied Library anchors the academic heart of campus is a welcoming and comfortable landmark. Yet, it sits adjacent to a few small and obsolete building and faces a parking lot. Workshop proposed a campus design intervention that replaces the obsolete buildings with a three-story, 360-degree student life building. It features a permeable perimeter that provides shade for students, ample lounge on the ground floor, along with dining at all three levels. Students can circumnavigate the perimeter which affords views into student programming space, and leads to a rooftop terrace with views to the Las Vegas strip and distant mountains.
Designing for the Margin
Creating a space of radical openness starts with respect. At the core of the Workshop approach is a deep respect for the experience, creativity, and insight of the people who will learn, play, work, or “just be” in a new campus setting. While we strive for inclusiveness in all of our projects, we highlight here projects at two of the most diverse in the nation.
The inspiration for all of our student life projects derives from the students with whom we work. We strive to understand the campus culture and welcome the opportunity to learn and translate insights into a design vision that reflects the campus community’s values and aspirations. Openness, curiosity, and creativity characterize our approach to student engagement through the initial programming phase and throughout the length of the project.
This sound straightforward. Start with good intentions and the project will come together nicely. But, we have found that we need to constantly challenge our own assumptions about whom we are designing for and how we can best incorporate their input.
To be ever mindful about inclusive placemaking, Workshop strives to be mindful and deliberate about the way we conduct ourselves within the firm and the way we approach our projects.
For the firm:
Inclusive placemaking is not just about blending voices. It requires a commitment to including students who feel marginalized or underrepresented to become part of the weaving of the tapestry that is the campus community. It's about creating places that embody and make real campus aspirations for diversity and inclusion. It is about everyone being accountable to each other to listen, learn, and act upon issues of space and place to ensure that students can choose to engage in campus life according to their own comfort level, whether that is from the core or margins of student life.
This is especially true for universities for which students must decide by referendum whether to shoulder the costs of the project. We know from over 20 years of student engagement and outreach that these efforts rally students’ passions about a project and prepare them to be discerning clients as the project moves from the programming and conceptual design to subsequent stages in the process. It makes them strong allies as they take ownership of the project and advocate for future approvals.
The critical steps are to define the essential purpose and critical objectives of the setting, its location, be it on the periphery or at the center of campus, what activities and experiences must occur in order to achieve those objectives, and the specific program of spaces that support them. Through further design dialogue, Workshop works with campus communities to create an architecture that, through its combination of thresholds, internal relationships, gathering spaces, and campus connections, provides places for casual connections, creative encounters, and critical engagement.
Inclusive placemaking is essential to the creative design process. Workshop Architects endeavors to facilitate students and campus communities in creating an open, dialogic spaces to define the scope and nature of future student life projects. Through hands-on workshops, online surveys, and other strategies, Workshop Architects helps campus communities develop a shared language of desired place experience that, like critical writing and other aesthetic acts, enable people to envision the new.